Here are some other projects including editing and composing for the stage, film and installations:

    · Editing the manuscript for a performing edition of Cimarosa's Le Astuzie Femminili, summer '22
    · Editing the manuscript for a performing edition of Galuppi's La Diavolessa, summer '20-21
    · New performing edition of George Frederic Handel's Il pastor fido (1712), summer '19.
    · New performing edition of Joseph Haydn's Lo Speziale (1768), summer '18.
    · New performing edition of Joseph Haydn's Il Mono della luna (1777) with new translation by Simon Rees, spring/summer '18.
    · Editing a new critical edition of Thomas Arne's Eliza (1754), Autumn '17.
    · Assisting Prof. Michael Burden with new critical edition of John Eccles's Europe’s revels for the peace of Ryswick (1698).
    · Two sound installations based on Demons Land at the National Trust's Stowe House and Gardens, Buckinghamshire.
    · Music/sound design with Jethro Cooke for Demons Land written by Simon Palfrey, art by Tom de Freston and filmmaker Mark Jones.
    · Editing a new critical edition of Pietro Domenico Paradies's Fetonte (1747), summer '16.
    · Editing a new critical edition of Domenico Cimarosa's Il Pittore Parigino (1781) with new translation by Simon Rees, spring '16.
    · Preparing a modern edition of Cavalli's Erismena for Bärenreiter with Prof. Michael Burden (New College, Oxford).
    · Music for Leo Mercer's play ONLIFE, Oxford Playhouse, December 2015.
    · Creating a modern edition of Leonardo Leo's La Zingaretta (1781), with English translation by Simon Rees.
    · Freelance typesetting and editing for Schott Music.